My Grading System
A+ = Masterpiece (I hold back on this one.) / A = Great. / A- = Really Good. / B+ = Good. / B = Decent (Serviceable). / B- = Flawed but okay (For those times there's something redeeming about the work). / C+ = Not very good (Skip it). C = Bad. / C- = Awful. / F = Complete Disaster (I hold back on this one too).
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Sunday, October 7, 2012
The Vanishing [Spoorloos] (1988)
Do not confuse
this with the American remake staring Keifer Sutherland and Jeff Bridges, an
entertaining thriller that barely scratches the surface of the psychological
depths going on in this Dutch original (which ironically are directed by the same guy, George Sluizer). A husband and his wife are on holiday,
driving into France. They have an argument when the car runs out of gas. They then arrive at a gas station where they makeup. Suddenly the wife disappears
when she goes in for a drink. The audience knows who is responsible, a
predatory man with a fake cast obviously interested in abducting someone. But
the husband doesn’t know what happened to her and this will send him into an
obsession that is impossible to settle. The villain in this story is
wonderfully low key and frightening. This is a powerful horror film,
and let me make this clear, while it could have been made as a thriller or even
as a dark mystery, there is a sinister force at work here that is as evil as a
slasher film. Grade: A-
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