My Grading System
A+ = Masterpiece (I hold back on this one.) / A = Great. / A- = Really Good. / B+ = Good. / B = Decent (Serviceable). / B- = Flawed but okay (For those times there's something redeeming about the work). / C+ = Not very good (Skip it). C = Bad. / C- = Awful. / F = Complete Disaster (I hold back on this one too).
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Friday, July 5, 2013
Tristana (1970)
I’m
a huge Luis Bunel fan and have been waiting years to finally get a chance to
see this adaption of Benito Perez Galdos’ novel. It’s the story of a
respected gentleman who falls in love with his adopted daughter. This
father/daughter relationship is so bizarre and humorous under Bunel’s wonderful
skills that you find yourself rooting for it in a weird way; it’s almost not
shocking because it’s what you expect from this master storyteller of the
surreal. Fernando Rey who plays Don Lope is so matter-of-fact you take
for granted that he’s a despicable person. Then there’s Catherine Deneuve
who gives one of her most strange and best performances. You
know she hates Don Lope but there’s some part of her who will always see him as
her father. If you like any of Bunel’s work you’ll recognize this
signature moments spread about the narrative. Grade: A-
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