My Grading System
A+ = Masterpiece (I hold back on this one.) / A = Great. / A- = Really Good. / B+ = Good. / B = Decent (Serviceable). / B- = Flawed but okay (For those times there's something redeeming about the work). / C+ = Not very good (Skip it). C = Bad. / C- = Awful. / F = Complete Disaster (I hold back on this one too).
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Note on Spoilers: I will try to avoid ruining a story by going into too much detail. But if I wish to include some revealing points to my analysis I will try to remember to add a separate spoiler paragraph.
Monday, September 17, 2012
Fellini Satyricon (1970)
Fellini’s adaption
of Petronius' tale is like a theatrical leap into barbarianism. Like the genius he
was, he created a window into a fantasy (based on Roman history) where people
are insane and only living for pleasure. What’s unique about this film is the
story isn’t straight-forward, it’s an episodic bounce from one event to the
next, almost like a dream (or nightmare). Encolpio is our hero and yet there’s
nothing heroic about him, he and his companion, Ascilto, survive purely by accident as they
travel through the pre-Christian world without purpose. This usually would be
the death of a film but the stylized glimpse into such a strange and brutal debauchery is hard to find boring. A film like this has never been made and I hope gets
made again. How I’d love to see someone like Christopher Nolan or Peter Jackson
take us to such a dark and vile place. Yet maybe this is Fellini’s commentary about the world we live in,
maybe we’re not as civilized as we think we are. Grade: B+
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